LIV’S LAST RIDE

“Welcome to the last night of your life.”

FEATURE FILM

Liv’s Last Ride

RUNTIME

81 minutes

GENRE

Horror-Comedy / Slasher / Social Horror

COMPS

Blending the generational anxiety of Bodies Bodies Bodies, the self-aware whodunit of Scream, and the moral complexity of Promising Young Woman.

WRITTEN AND DIRECTED BY

Thaddeus Armstrong

TAGLINE

Welcome to the last night of your life.

LOGLINE

When an unexpected visitor disrupts a secluded bachelorette party, a group of former friends must confront their shared dark history in order to survive the night.

CORE QUESTION

Liv's Last Ride is a horror film about shame, forgiveness, and whether we deserve the chance to become more than our worst moments.

WHAT MAKES THE FILM UNIQUE

Liv’s Last Ride is a wild, unpredictable, genre-bending slasher-whodunit that continually subverts audience expectations, blending horror, comedy, mystery, and social satire while using horror archetypes to explore identity, perception, and the labels people struggle to escape.

WHY IT MATTERS NOW

In a culture where mistakes, humiliations, and private moments can live forever online, Liv's Last Ride explores the consequences of permanent digital memory and the ways social media can transform suffering into spectacle.

Listen Up.

Liv's Last Ride features an original motion picture score composed exclusively for the film by Yves Florent. All music rights, including synchronization and master use licenses, have been secured for distribution.

“Liv’s Last Ride” (Original Score Excerpt) by Yves Florent

Stripper Anthem” (Original Score Excerpt) by Yves Florent

Take A Sip” (Original Score Excerpt) by Yves Florent

Technical Aspects.

  • Sony Venice and RED Komodo X (anamorphic Cooke lenses)

  • 4k Finishing Resolution

  • 2.39:1

  • 5.1 Audio Mix

  • M&E Available

  • Closed Captions Available

  • DCP Available

DIRECTOR STATEMENT

We live in a world where there is no digital distance between ourselves and yesterday.

Every day we risk being reduced to a mistake, a humiliation, a failure, a piece of art, or even a single moment. We’re afraid to dance, afraid the world may remember the fall more than the movement itself.

Fear is slowly changing the way we exist around one another. It’s becoming harder to tell where performance ends and sincerity begins.

Somewhere along the way, suffering stopped feeling private. Shame, humiliation, and cruelty became communal. We watch, even when we know we shouldn’t. Sometimes we even enjoy it.

Maybe what should frighten us most is how easily people trying to stop cruelty can slowly become consumed by it themselves.

Beneath the blood, satire, absurdity, and spectacle is a quieter grief: the loss of empathy, forgiveness, sincerity, and our ability to let people grow beyond who they once were.

Memory should guide us, not haunt us. And until we dance again, we have to find a way to laugh.

Otherwise, we’ll scream.

Want to see more?

taylor@imentertainment.us
(815) 575-0624

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